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Electric folk is the name given to the form of folk rock pioneered in England from the late 1960s, and most significant in the 1970s, which then was taken up and developed in the surrounding Celtic cultures of Brittany, Ireland, Scotland, Wales and the Isle of Man, to produce Celtic rock and its derivatives. It has also been influential in those parts of the world with close cultural connections to Britain and gave rise to the genre of folk punk. By the 1980s the genre was in steep decline in popularity, but has survived and revived in significance, partly merging with the rock music and folk music cultures from which it originated. Although in Britain the term folk rock is often used synonymously with electric folk, commentators have returned to this term as a means of distinguishing this as a clear and distinct category within the wider folk rock genre. ==Definition== When English bands of the late 1960s and early 1970s defined themselves as 'electric folk' they were making a distinction with the already existing 'folk rock'. Folk rock was (to them) what they had already been producing: American or American style singer-songwriter material played on rock instruments, as undertaken by Bob Dylan and the Byrds from 1965.〔B. Sweers, ''Electric Folk: The Changing Face of English Traditional Music'' (Oxford University Press, 2005), pp. 25-6.〕 They drew the distinction because they were focusing on indigenous (in this case English) songs and tunes. This is not to say that all the proponents of electric folk totally abandoned American material, or that it would not be represented in their own compositions, but their work would be characterised by the use of traditional English songs and tunes and the creation of new songs in that style, using the format and instruments of a rock band with the occasional addition of more traditional instruments. The result of this hybridisation was an exchange of specific features drawn from Traditional music and Rock music. These have been defined as including:〔J. Cutting, 'From Fol de Rol to Sha Na Na: The Electrification of British Folk Music',(1993) (http://mywebpages.comcast.net/jcutting/efolk.htm#mm ), retrieved 18/01/09.〕 Traditional music: * Lyrics * Tunes (including ornamentation) * The drone (cf. bagpipes), but usually on a guitar or bass * Use of some acoustic instruments * Use of traditional rhythms; for example, an eight-beat rhythm of 3+3+2 with the stress on the first, fourth, and seventh beats, as in Led Zeppelin's "The Battle of Evermore", while not unusual precludes the standard rock backbeat. * Blending of multiple songs in the traditional music style: often a short instrumental piece is inserted as an instrumental in a longer lyrical piece (i.e. a piece with vocals), both in traditional music and Electric folk Rock music: * Rhythm (specifically the backbeat) * The hook * Ostinati (plural of ostinato), a melodic and/or rhythmic figure that is persistently repeated throughout a piece or a section of a piece * Use of some electric instrument * The tempo of some songs may be altered well beyond the traditional boundaries * Key changes may be added Not all of these features are found in every song. For example, electric folk groups, while ''predominantly'' using traditional material as their source for lyrics and tunes, occasionally write their own (much as traditional musicians do). 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Electric folk」の詳細全文を読む スポンサード リンク
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